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Wrought iron furniture


(Redirected from Ornamental metal)
Wrought iron furniture is furniture made by bending, shaping, and welding wrought iron. It has a long history, dating back to Roman times.. There are Thirteenth century wrought iron gates in Westminster Abbey in London, , but the Seventeenth century, and the reign of William and Mary in Great Britain, appears to have brought its popularity to a peak. However the coming of cast iron and cheaper steel caused a gradual decline in wrought iron manufacture, with the last wrought ironworks in Britain closing in 1974.
Wrought iron is used to make both indoor and outdoor furniture but it is also used to make home decor items such as baker's racks, wine racks, pot racks, etageres, table bases, desks, gates, bars and bar stools.
Many manufacturers employ skilled artisans to produce hand made wrought iron furniture.
References
^ "wrought iron door furniture being commonplace in Roman times" in realwroughtiron.com
^ in realwroughtiron.com
^ "A French fashion for the Baroque style in gates and railings, swept the country houses of Britain, following the import of craftsman by William and Mary" in realwroughtiron.com
^ "...until the last ironworks ceased production in 1974"realwroughtiron.com
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Smelting



Electric phosphate smelting furnace in a TVA chemical plant (1942)

For other uses, see Smelt (disambiguation).
Smelting is a form of extractive metallurgy; its main use is to produce a metal from its ore. This includes iron extraction (for the production of steel) from iron ore, and copper extraction and other base metals from their ores. Smelting uses heat and a chemical reducing agent, commonly a fuel that is a source of carbon such as coke, or in earlier times charcoal, to change the oxidation state of the metal ore. The carbon or carbon monoxide derived from it removes oxygen from the ore to leave the metal. The carbon is thus oxidized, producing carbon dioxide and carbon monoxide. As most ores are impure, it is often necessary to use flux, such as limestone, to remove the accompanying rock gangue as slag.
Plants for the electrolytic reduction of aluminium, while not using carbon, are also generally referred to as smelters.
Contents
1 Smelting basics
2 First smelting: campfires
3 Copper smelting: kilns
4 Bronze smelting
5 Iron smelting
5.1 Early iron smelting
5.2 Later iron smelting
6 Base metals
7 See also
8 References
9 Bibliography
10 External links
//
Smelting basics
The seven metals that were known in ancient times (mercury, tin, lead, copper, silver, gold, and iron) can in principle be smelted through similar chemical reactions from their ores:
Mercury oxide to mercury

Cassiterite to tin

Minium to lead

Silver oxide to silver

Cuprite to copper

Hematite to iron

Different ores require different reactions at different temperatures, but almost always the reducing agent is carbon. The list above is sorted in increasing temperature order, so in this case, iron is the most difficult metal to smelt from the ones in the list (that is why historically iron smelting was the last to be discovered).
A common mistake is to think that the metal is obtained from the ore because at high temperature the metal just melts out of the ore. That is incorrect: if a blacksmith just heats up the ore without the proper reducing agent (carbon), they will just obtain molten ore. Also, one can smelt some ores at a temperature lower than the temperature required to melt the metal. Usually, though, these reactions happen at temperatures high enough to melt the resulting metal, so the metal can just be cast directly out of the furnace.
The exception is that some metal oxides just decompose at relatively low temperatures, so instead of trying to smelt mercury out of mercury oxide, one can just heat up mercury oxide to about 500 (932), and the oxide will decompose into mercury and oxygen; as mercury boils at 357 (675), this will cause the oxide to decompose and boil out, producing the highly toxic gaseous mercury. This is possible only for mercury and a handful of other metal oxides; most metal oxides must be smelted with carbon as the reducing agent.
First smelting: campfires
Smelting is a chemical reaction that requires a particular ore (and many ores look just like any other common sedimentary rock), a particular content of carbon and a particular temperature in order to produce the metal. Without knowledge of chemistry, it is impossible to predict if a given rock can be smelted or not, and what it will produce. Therefore, there is continuous debate to understand how the ancient people learned how to smelt.
Probably the first smelting was done by accident by making a campfire on top of tin or lead ores. Such a combination may accidentally produce metallic tin and lead at the bottom of the campfire, as the temperatures to smelt tin and lead are easily obtained by an ordinary fire.
The earliest cast lead beads known today were found in the ?atal H?y site in Anatolia (Turkey), and were dated of 6500BC. It is unclear when the earliest cast tin artifacts were made, given that tin is much less common than lead, and earlier tin artifacts may have been reused to make bronze.
Although lead is a relatively common metal, the first smelting of lead had less impact in the ancient world. It is soft compared with bronze and steel, but is easy to cast and shape, so became important in the classical world of Ancient Greece and Ancient Rome for piping and storage of water.
Copper smelting: kilns
There were in the past some arguments that copper was first smelted by accident also in campfires, but that seems improbable as campfires are about 200 short of the temperature needed to smelt copper. A more probable path may have been through pottery kilns, invented in Persia by 6000BC. Pottery kilns produce ceramics that can be glazed with colorful earths (mostly metallic oxides) to produce colorful vases; it happens that malachite (copper oxide) is a colorful green stone, so a potter that encrusts malachite in a ceramic vase in a coal-fired kiln will produce a few droplets of metallic copper (ruining the vase). That may have set the way to smelt copper.
The first known cast copper artifact is a mace head found in Can Hasan, Turkey from 5000BC.
Copper created some impact on the ancient world, as it produces good blunt weapons and reasonable armor, but it is still too soft to produce useful blade weapons. Therefore, the smelting of copper did not replace the manufacture of stone weapons, which still produced superior blades.
Bronze smelting

Casting bronze ding-tripods, from the Chinese Tiangong Kaiwu encyclopedia of Song Yingxing, published in 1637.
Bronze is a copper/arsenic or copper/tin alloy. The presence of arsenic and tin dramatically increased the hardness of copper and produced war-winning weapons, as a bronze mace or hammer seemed indestructible at the time, as compared to stone maces and hammers that frequently shattered and flaked on impact. When smiths learned to make bronze daggers and swords they found that they kept their edge much longer compared to the existing stone and volcanic glass daggers. Moreover, while one cannot make stone armor (and therefore warriors had to rely on leather armor), bronze can be readily made into a body armor which is impervious to all weapons of the period. Therefore, knowledge of the smelting of bronze allowed kings to overcome their enemies, and caused such a revolution that it marked the end of the Stone Age and the beginning of the Bronze Age. It would be millennia, though, until bronze could be used by common soldiers and townsfolk, and for a long time they were luxury items used by nobility.
The first copper/arsenic bronzes date of 4200BC from Asia Minor, and were used for a long time until replaced by the modern copper/tin bronzes by 1500BC. It is unclear whether at some point in time the smiths that produced copper/arsenic bronze added arsenic oxides on purpose, or if they explored some copper lodes that happened to have arsenic as a lucky contamination.
The first copper/tin bronzes date of 3200BC, again from Asia Minor. Copper/tin bronzes are harder and more durable than copper/arsenic ones, and made these obsolete. The process through which the smiths learned to produce copper/tin bronzes is once again a mystery. The first such bronzes were probably a lucky accident from tin contamination of copper ores, but by 2000BC we know that tin was being mined on purpose for the production of bronze. This is amazing, given that tin is a semi-rare metal, and even a rich cassiterite ore only has 5% tin. Also it takes special skills (or special instruments) to find it and locate the richer lodes. But, whatever steps were taken to learn about tin, these were fully understood by 2000BC.
Iron smelting
Main article: History of ferrous metallurgy
Early iron smelting
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Hot metal typesetting



Part of the series on theHistory of printing
Woodblock printing
200
Movable type
1040
Intaglio
1430s
Printing press
1454
Lithography
1796
Chromolithography
1837
Rotary press
1843
Flexography
1873
Mimeograph
1876
Hot metal typesetting
1886
Offset press
1903
Screen-printing
1907
Dye-sublimation
1957
Phototypesetting
1960s
Photocopier
1960s
Pad printing
1960s
Laser printer
1969
Dot matrix printer
1970
Thermal printer
Inkjet printer
1976
3D printing
1986
Stereolithography
1986
Digital press
1993
v?d?e
Hot metal typesetting (also called hot lead typesetting or simply hot metal) is a term used to encompass a range of different 19th century technologies to create or compose text for use in the letterpress method of printing.
Generally speaking, this method injects molten type metal into a mould that has the shape of one or more letters, which are later used to press ink onto paper.
Contents
1 Types of typesetting
1.1 Linotype
1.2 Ludlow
1.3 Monotype
2 Transition
3 Comparison to Successors
4 See also
//
Types of typesetting
Two quite different approaches to mechanising typesetting were independently developed in the late 19th century. One produced characters on individual type bodies, known as the Monotype system; the other, Linotype, created slugs, usually comprising a whole line of text.
Both systems met with success in different fields: the Monotype caster was more popular for bookwork and the Linotype system found success in newspaper production. A manual linecasting solution known as the Ludlow Typograph also met with success because it was able to cast display body sizes that other mechanical composition systems were unable to produce.
Linotype
The key feature of the Linotype was a series of special word spacers which were long sliding wedges. The type itself was a series of brass negative molds (mats) that came down from a magazine at the top of the machine. Several of these magazines could be loaded to allow the operator access to several type sizes and styles.
As a key was pressed a mold would be released from the magazine and fall down to assemble into a "stick" like holder. Each time the space bar was pressed one of the special wedge shaped spacers was inserted.
An indicator told the operator when a line was within a capture range, that is contained enough type. Too little type and the white space would be too much for the wedge spacers to do their job and lock up. Too much type and the spacers would not have room to work. If the makeup of a line was too far out of specs a "squirt" would happen when the lead was injected into a line mold which failed to seal properly, encasing the front of that area of the machine in lead. This took some time to clean up and interrupted the flow of typesetting. It was considered very bad form to generate a squirt.
When the line was assembled it would be rotated into place in front of the injector and a bar would force all the spacers into the stick until they all jammed the type molds tightly from side to side (by increasing the spacing between each word) and sealed the stick. An upshot of this brilliant design was automatic justification of each line by equally adjusting the white space between each word. Since the type used was proportional and not fixed in width, solving this justification problem mechanically was very important. Additional white space could be introduced with special molds containing no type high symbols. The machine then rotated to cooling and then to extraction.
The line of brass molds were lifted by a "cherry picker" which elevated them back to the top of the machine held by a series of ledges on the "V" shaped notch on the top of each individual brass mold. As the machine slid the line of type across a special "V" shaped bar at the very top, patterns of notches in this bar would allow the brass molds to release at the right moment to fall back into the correct slot in the magazine. This automatic replacement kept the magazine filled. The entire action of a Linotype kept in constant motion by a well trained operator was quite a mechanical ballet.
Lead was supplied in "pigs" which were long ingots of lead weighing about 22 pounds each. They had an eye in one end from which they were suspended by a hook and chain above the melting pot. As the level in the pot went down, the pig would be lowered a bit by the chain to keep the level of molten lead constant. The eyes had a gap in them. When the pig went all they way into the lead and the eye melted at the bottom the two sides would fall into the pot and the chain would rapidly zip up to the top on a counterweight letting the operator know it was time to hang another pig.
The typeset line slugs were recovered after printing and tossed into a "Hell Box" for recycling. At intervals the lead would be remelted and a bit of "plus metal" to replace the type alloy metals that evaporated or oxidized during the remelt process. This plus metal came in small one pound ingots. The lead was then poured into pig molds with particular care given to the eye of the pig. If defective it would break when the typesetter hung the pig and molten lead would splash around, and often on the operator.
The Intertype company developed (c.1914) a modified version of the Linotype machine when the patents ran out and became quite popular as well.
Ludlow
A manual linecasting solution known as the Ludlow Typograph also met with success because it was able to cast display type sizes that other mechanical composition systems were unable to produce.
The Ludlow consisted of a very heavy table with a flat top about waist high and a depressed slot into which a "stick" was inserted. Underneath was a pot of molten lead and a plunger. The stick was used to hand compose the lines of type, typically headlines in 18 point or larger with 72 point commonly being available. This was from brass molds stored in cases on either side of the Ludlow. The cases were not the traditional "California Cases" used to set body type, but simpler alphabetically arranged wooden cases, each one containing a given font in a specific size and style such as bold face, italic or condensed. The range of available fonts was typically much larger for a Ludlow than for a Linotype.
After a line of type was assembled into the stick a special blocking slug was inserted to seal the end. Then the stick was placed mold side down into the slot on the table, a clamp locked down to securely hold the stick and the Ludlow activated. The molten lead was injected by a plunger up against the mold with considerable force. If any mistake had been made in assembling the stick such as forgetting the special terminating block, a dreaded "squirt" would result, often encasing the operator's toes in molten lead and leaving a mess that needed to be peeled off the Ludlow surfaces. Operators were encouraged to wear heavy boots with steel toes and be quick at removing one. The Ludlow used a melting pot and chain feed system very similar to the Linotype and loaded the same lead "pigs".
Towards the end of its life as a common backshop type setter, the Ludlow was often joined by the "Super Surfacer" a specially designed surface plane that would smooth the surface of the freshly cast type and ensure it was exactly type high. A Ludlow slug was just the letters overhanging a central spine about 12 points wide (T shaped viewed from the end). It needed to be bolstered by Elrod slugs on either side for support. The number of slugs above and below the central spine could adjust the white...(and so on) To get More information , you can visit some products about lamps tiffany , japanese fan , antique ceiling fan , fan video card , ceiling fan lamps , , ceiling fan switch , fancy pet collars , ceiling fan lamp , amd fan , .

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