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Mario Bava
Born
July 31, 1914Sanremo, Liguria, Italy
Died
April 25, 1980 (aged65)Rome, Italy
Mario Bava (July 31, 1914 April 25, 1980) was an Italian director, screenwriter, and cinematographer remembered as one of the greatest names from the "golden age" of Italian horror films.
Contents
1 Biography
2 Filmography
3 External links
4 Sources
5 References
//
Biography
Mario Bava was born in Sanremo, Liguria, Italy. The son of Eugenio Bava, a sculptor who became a pioneer of special effects photography and subsequently one of the great cameramen of Italian silent pictures, Mario Bava's first ambition was to become a painter. Unable to turn out paintings at a profitable rate, he went into his father's business, working as an assistant to other Italian cinematographers like Massimo Terzano, while also offering assistance to his father who headed the special effects department at Benito Mussolini's film factory, the Instituto LUCE.
Bava became a cinematographer in his own right in 1939, filming two shorts for Roberto Rossellini. He made his feature debut in the early 1940s, just as World War 2 broke out, which stopped Italian film production in its tracks. The Italian cinema only began to recover its former health after the war, when America began to produce films such as Quo Vadis (1951) in Italy. Bava's colorful camerawork was an instrumental factor in developing the screen personas of such stars of the period as Gina Lollobrigida, Steve Reeves and Aldo Fabrizi.
Bava co-directed his first genre film in 1958: Le morte viene dallo spazio (The Day the Sky Exploded), the first Italian science fiction film. Because he had no earlier credited experience as a director, it was credited solely to Paolo Heusch. In 1960 he directed one of the first Italian gothic horror films of the 1960s: Black Sunday which made a star out of Barbara Steele. His use of light and dark in black and white films is widely acclaimed along with his use of colors in films like I tre volti della paura (Black Sabbath) (1963) and La Frusta e il corpo (The Whip and the Body) (1963).
His work has proved very influential: Bava directed what is called the first Italian giallo film, La ragazza che sapeva troppo (The Girl Who Knew Too Much) (1963), and his 1965 sci-fi horror Terrore nello spazio (Planet of the Vampires) was a probable influence on Alien (1979). Although comic books had served as the basis for countless serials and children's films in Hollywood, Bava's Diabolik (1968) brought an adult perspective to the genre. 1971's Reazione a catena/ Bay of Blood (also known as Twitch of the Death Nerve) is considered to be one of the earliest slasher films, and was imitated in the first two American-made Friday the 13th movies. Many elements of his 1966 film Operazione paura (Kill, Baby... Kill!), regarded by Martin Scorsese as Bava's masterpiece, also appear in the Asian strain of terror film known as J-Horror.
Mario Bava was very disappointed with the distribution on some of his later films (which caused him to retire in 1978 at age 63). Lisa and the Devil (1972) was never picked up by a distrbutor, and had to be later re-edited (with new 1975 footage) into an Exorcist-clone retitled House of Exorcism in order to get released. Bava's Rabid Dogs (1974) was never released theatrically during his lifetime; the film only appeared on DVD in the late 1990's, re-edited a bit with some new footage, as Kidnapped. Bava retired in 1978, and died in 1980 at age 65.
Mario Bava's son, Lamberto Bava, worked for 14 years as Bava's assistant director and later went on to a movie-directing career of his own in 1980 (Demons, A Blade in the Dark, etc.).
On several of his movies, Bava was credited as John M. Old. Later, Lamberto Bava was sometimes credited as John M. Old, Jr.
Several books have been published about Mario Bava: Mario Bava by Pascal Martinet (Edilig, 1984) and Mario Bava edited by Jean-Louis Leutrat (itions du Cal, 1994) in French; Mario Bava by Alberto Pezzotta (Il Castoro Cinema, 1995) in Italian; The Haunted Worlds of Mario Bava by Troy Howarth (Fab Press, 2002), and most recently, the massive critical biography Mario Bava All the Colors of the Dark by Tim Lucas (Video Watchdog, 2007; ISBN 0-9633756-1-X).
Filmography
Year
Film
Credited as
Notes
Director
Writer
Cinematographer
1943
L'Avventura di Annabella
Yes
1943
Sant'Elena, piccola isola}
Yes
1946
L'Elisir d'amore
Yes
1947
Uomini e cieli
Yes
1948
Natale al campo 119
Yes
1948
Pagliacci
Yes
1949
Antonio di Padova
Yes
1949
Follie per l'opera
Yes
1950
Miss Italia
Yes
1950
arrivato il cavaliere!
Yes
1950
Canzone di...(and so on)

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